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Identity, Intertextuality, and Performance in Early Modern Song Culture (Hardcover)
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Identity, Intertextuality, and Performance in Early Modern Song Culture (Hardcover)
Series: Intersections, 43
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Singing together is a tried and true method of establishing and
maintaining a group's identity. Identity, Intertextuality, and
Performance in Early Modern Song Culture for the first time
explores comparatively the dynamic process of group formation
through the production and appropriation of songs in various
European countries and regions. Drawing on oral, handwritten and
printed sources, with examples ranging from 1450 to 1850, the
authors investigate intertextual patterns, borrowing of melodies,
and performance practices as these manifested themselves in a broad
spectrum of genres including ballads, popular songs, hymns and
political songs. The volume intends to be a point of departure for
further comparative studies in European song culture. Contributors
are: Ingrid Akesson, Mary-Ann Constantine, Patricia Fumerton, Louis
Peter Grijp, Eva Guillorel, Franz-Josef Holznagel, Tine de Koninck,
Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der
Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne
Marieke van der Wal.
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