This book challenges the established conceptual and historical
paradigm in Anglo-American film studies that perceives European
cinema as essentially "high art." Through a study of the specific
contexts in which popular European films are produced, distributed
and exhibited, the book proposes new analytical and critical
frameworks for their study. Films analyzed in the book include
"Cinema Paradiso", "Mediterraneo", "Bhaji on the Beach", "Until the
End of the World", "Underground", and "JamonJamon".
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