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Music at the Gonzaga Court in Mantua (Hardcover, New)
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Music at the Gonzaga Court in Mantua (Hardcover, New)
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Beginning in the second half of the fifteenth century, under the
patronage of the Gonzaga family, the northern Italian city of
Mantua became a vibrant center for visual art, theatre, and music.
The performance at the Gonzaga court of Poliziano's Fabula di
Orfeo, around 1480, marked the beginning of secular music theatre.
The use of musical numbers within the drama anticipated the
beginnings of opera at Florence a century later, as well as the
first masterpiece of the genre, Monteverdi's La favola d'Orfeo at
Mantua in 1607. Mantua reached the zenith of its artistic
distinction during the reign of Duke Vincenzo I, between 1587 and
1612. During this time, Wert and Gastoldi were joined at the court
by the important Jewish composer Salamone Rossi and, most notably,
by Monteverdi. The premieres of his Orfeo and Arisanna made the
Gonzaga court, for that brief period, the most important center in
the development of opera. In Music at the Gonzaga Court in Mantua,
Donald C. Sanders discusses musical composition at the court in the
context of the brilliant visual art that provided such a conducive
environment. Sanders also traces the history of this very colorful
family and their relationships with the emperors, kings, and popes
who shaped modern Europe. Part history, part musicology, Sanders'
analysis spans the fifteenth century through the seventeenth
century, filling informative gaps with details essential for
students in courses on Renaissance or Baroque music, or in more
specialized courses on madrigal, opera, or liturgical music. Music
at the Gonzaga Court in Mantua is also important reading for
knowledgeable musical amateurs and anyone with interest in Italian
history and arts."
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