First published in 1970, this stylistic and interpretative account
of some of Wordsworth's major poetry examines description and
meditation in his landscape writing. It describes the integration
of two kinds of thinking, and a variety of beauties and lapses that
come from their separation. Although Wordsworth's deepest affinity
was with nature, the author argues the finest landscape writing of
the poet's late twenties and early thirties derives from his
attempt to humanise his love of nature. This work therefore aims to
examine the way in which Wordsworth strives in his poetry to extend
his range of concern from love of nature to love of mankind.
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