There have been many books published on acting, actor training,
and practical theories for preparing for a role, but none of these
books have ever looked philosophically at the language and the
concepts that we use when we talk about acting. "The Philosophical
Actor" is the first attempt to grapple with the fundamental
questions of truth, art, and human nature unexamined in past
treatments, from the first great essay by Diderot to the exhaustive
system described by Stanislavski. With wide appeal to actors,
directors, acting students, acting teachers and trainers, Donna
Soto-Morettini draws from twenty-five years of experience as an
acting teacher and director to introduce innovative ways of
thinking about acting.
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