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Cinderella's Sisters - A Revisionist History of Footbinding (Paperback)
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Cinderella's Sisters - A Revisionist History of Footbinding (Paperback)
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The history of footbinding is full of contradictions and unexpected
turns. The practice originated in the dance culture of China's
medieval court and spread to gentry families, brothels, maid's
quarters, and peasant households. Conventional views of footbinding
as patriarchal oppression often neglect its complex history and the
incentives of the women involved. This revisionist history,
elegantly written and meticulously researched, presents a
fascinating new picture of the practice from its beginnings in the
tenth century to its demise in the twentieth century. Neither
condemning nor defending foot-binding, Dorothy Ko debunks many
myths and misconceptions about its origins, development, and
eventual end, exploring in the process the entanglements of male
power and female desires during the practice's thousand-year
history. "Cinderella's Sisters" argues that rather than stemming
from sexual perversion, men's desire for bound feet was connected
to larger concerns such as cultural nostalgia, regional rivalries,
and claims of male privilege. Nor were women hapless victims, the
author contends. Ko describes how women - those who could afford it
- bound their own and their daughters' feet to signal their high
status and self-respect. Femininity, like the binding of feet, was
associated with bodily labor and domestic work, and properly bound
feet and beautifully made shoes both required exquisite skills and
technical knowledge passed from generation to generation.
Throughout her narrative, Ko deftly wields methods of social
history, literary criticism, material culture studies, and the
history of the body and fashion to illustrate how a practice that
began as embodied lyricism - as a way to live as the poets imagined
- ended up being an exercise in excess and folly.
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