Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare and the Materiality of Performance (Hardcover)
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Shakespeare and the Materiality of Performance (Hardcover)
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Winner of the MRDS 2013 David Bevington Award for Best New Book in
Early Drama Studies Many unspoken assumptions permeated the
experience of performance in Shakespeare's theatre. Drawing on
scientific treatises, murder pamphlets, travel narratives, dream
manuals, religious sermons, festive sports, and other fascinating
primary sources, Lin reconstructs playgoers' typical ways of
thinking and feeling and demonstrates how these culturally-trained
habits of mind shaped not only dramatic narratives but also the
presentational dynamics of onstage action. Combining literary
criticism, theatre history, and performance theory, this
ground-breaking study explodes received ideas about mimesis,
spectacle, and semiotics as it uncovers the ways in which early
modern performance functioned as a material medium, revising and
producing social attitudes and practices.
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