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Regard for the Other - Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde (Paperback)
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Regard for the Other - Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde (Paperback)
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Although much has been written on autobiography, the same cannot be
said of autothanatography, the writing of one's death. This study
starts from the deconstructive premise that autobiography is
aporetic, not or not only a matter of a subject strategizing with
language to produce an exemplary identity but a matter also of its
responding to an exorbitant call to write its death. The
I-dominated representations of particular others and of the
privileged other to whom a work is addressed, must therefore be set
against an alterity plaguing the I from within or shadowing it from
without. This alterity makes itself known in writing as the
potential of the text to carry messages that remain secret to the
confessing subject. Anticipation of the potential for the
confessional text to say what Augustine calls "the secret I do not
know," the secret of death, engages the autothanatographical
subject in a dynamic, inventive, and open-ended process of
identification. The subject presented in these texts is not one
that has already evolved an interior life that it seeks to reveal
to others, but one that speaks to us as still in process. Through
its exorbitant response, it gives intimations of an interiority and
an ethical existence to come. Baudelaire emerges as a central
figure for this understanding of autobiography as autothanatography
through his critique of the narcissism of a certain Rousseau, his
translation of De Quincey's confessions, with their vertiginously
ungrounded subject-in-construction, his artistic practice of
self-conscious, thorough-going doubleness, and his service to Wilde
as model for an aporetic secrecy. The author discusses the
interruption of narrative that must be central to the writing of
one's death and addresses the I's dealings with the aporias of such
structuring principles as secrecy, Levinasian hospitality, or
interiorization as translation. The book makes a strong
intervention in the debate over one of the most-read genres of our
time.
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