One of the principal dilemmas for scholars of Roman comedy is
demonstrating its originality compared to its (sometimes lost)
Greek forebears. In 30 papers written between 1973 and 2013, ten of
them previously unpublished, the author uses close analysis of the
works of Plautus and Terence to reveal each dramatist s unique
style of dramaturgy and at times utopian worldview and expands our
understanding of so-called Greek new comedy."
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