Edgar Allen Poe’s short stories have lost none of their power to
horrify. He remains a destabilizingly terse sketcher out of ideas, a
writer who allows the reader to fill in the many ghastly blanks in his
narratives of violence, retribution and animalism. It is hard to
recommend Hop-Frog wholeheartedly (its original subtitle was: Or, The
Eight Chained Ourang-Outangs) as it is such an affront to decency, but
you will certainly never forget it.
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