It is understood that Mies van der Rohe is one of the most
important architects of the Modern movement. But how do Mies' ideas
on architecture and on the logic of construction relate to his
built - and sometimes unbuilt - oeuvre? This book investigates this
question based on 14 projects, with a focus on the choice of detail
and material. Specially produced three-dimensional drawings provide
an easy-to-understand analysis of Mies' construction concepts. The
projects include Lange and Esters Houses (1927-30), Tugendhat House
(1928-30), the Barcelona Pavilion (1928-29), Farnsworth House
(1946-51), Lake Shore Drive (1948-51) and the New National Gallery
(1962-68). The investigation covers several decades of Mies' work,
and hence his German and American creative periods.
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