|
Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Publishing industry
|
Buy Now
Printing and Misprinting - A Companion to Mistakes and In-House Corrections in Renaissance Europe (1450-1650) (Hardcover)
Loot Price: R3,527
Discovery Miles 35 270
|
|
|
Printing and Misprinting - A Companion to Mistakes and In-House Corrections in Renaissance Europe (1450-1650) (Hardcover)
Expected to ship within 18 - 22 working days
|
'To err is human'. As a material and mechanical process, early
printing made no exception to this general rule. Against the
conventional wisdom of a technological triumph spreading freedom
and knowledge, the history of the book is largely a story of errors
and adjustments. Various mistakes normally crept in while texts
were transferred from manuscript to printing formes and different
emendation strategies were adopted when errors were spotted. In
this regard, the 'Gutenberg galaxy' provides an unrivalled example
of how scholars, publishers, authors and readers reacted to
failure: they increasingly aimed at impeccability in both style and
content, developed time and money-efficient ways to cope with
mistakes, and ultimately came to link formal accuracy with
authoritative and reliable information. Most of these features
shaped the publishing industry until the present day, in spite of
mounting issues related to false news and approximation in the
digital age. Early modern misprinting, however, has so far received
only passing mentions in scholarship and has never been treated
together with proofreading in a complementary fashion. Correction
benefited from a somewhat higher degree of attention, though check
procedures in print shops have often been idealised as smooth and
consistent. Furthermore, the emphasis has fallen on the people
involved and their intervention in the linguistic and stylistic
domains, rather than on their methodologies for dealing with
typographical and textual mistakes. This book seeks to fill this
gap in literature, providing the first comprehensive and
interdisciplinary guide into the complex relationship between
textual production in print, technical and human faults and more or
less successful attempts at emendation. The 24 carefully selected
contributors present new evidence on what we can learn from
misprints in relation to publishers' practices, printing and
pre-publication procedures, and editorial strategies between 1450
and 1650. They focus on texts, images and the layout of incunabula,
sixteenth- and early seventeenth-century books issued throughout
Europe, stretching from the output of humanist printers to
wide-ranging vernacular publications.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
You might also like..
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.