Celluloid Singapore is a ground-breaking study of the three major
periods in Singapore's fragmented cinema history, namely the golden
age of the 1950s and 60s, the post-studio 1970s, and the revival
from the 1990s onwards. Set against the context of Singapore's own
trajectory of development, the book poses two central questions:
how can the films of each period be considered 'Singapore' films,
and how is this cinema specifically national? The book argues that
the films of these three periods collectively constitute a national
cinema through different performances of Singapore, offering a
critical framework for understanding this cinema and its history in
relation to the development of the country and the national.
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