The Routledge Encyclopedia of Film Theory is an international
reference work representing the essential ideas and concepts at the
centre of film theory from the beginning of the twentieth century,
to the beginning of the twenty-first.
When first encountering film theory, students are often
confronted with a dense, interlocking set of texts full of arcane
terminology, inexact formulations, sliding definitions, and
abstract generalities. "The Routledge Encyclopedia of Film Theory"
challenges these first impressions by aiming to make film theory
accessible and open to new readers.
Edward Branigan and Warren Buckland have commissioned over 50
scholars from around the globe to address the difficult
formulations and propositions in each theory by reducing these
difficult formulations to straightforward propositions.
The result is a highly accessible volume that clearly defines,
and analyzes step by step, many of the fundamental concepts in film
theory, ranging from familiar concepts such as Apparatus, Gaze,
Genre, and Identification, to less well-known and understood, but
equally important concepts, such as Alain Badiou s Inaesthetics,
Gilles Deleuze s Time-Image, and Jean-Luc Nancy s Evidence .
"
The Routledge Encyclopedia of Film Theory "is an ideal reference
book for undergraduates of film studies, as well as graduate
students new to the discipline.
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