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The Blind and Blindness in Literature of the Romantic Period (Hardcover)
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The Blind and Blindness in Literature of the Romantic Period (Hardcover)
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In the first full-length literary-historical study of its subject,
Edward Larrissy examines the philosophical and literary background
to representations of blindness and the blind in the Romantic
period. In detailed studies of literary works he goes on to show
how the topic is central to an understanding of British and Irish
Romantic literature. While he considers the influence of Milton and
the 'Ossian' poems, as well as of philosophers, including Locke,
Diderot, Berkeley and Thomas Reid, much of the book is taken up
with new readings of writers of the period. These include canonical
authors such as Blake, Wordsworth, Scott, Byron, Keats and Percy
and Mary Shelley, as well as less well-known writers such as
Charlotte Brooke and Ann Batten Cristall. There is also a chapter
on the popular genre of improving tales for children by writers
such as Barbara Hofland and Mary Sherwood. Larrissy finds that,
despite the nostalgia for a bardic age of inward vision, the chief
emphasis in the period is on the compensations of enhanced
sensitivity to music and words. This compensation becomes
associated with the loss and gain involved in the modernity of a
post-bardic age. Representations of blindness and the blind are
found to elucidate a tension at the heart of the Romantic period,
between the desire for immediacy of vision on the one hand and, on
the other, the historical self-consciousness which always attends
it. Key Features * Original research on an important, previously
unexamined topic which will extend knowledge and understanding of
the period * Provides new readings of major authors and texts
including Blake, Wordsworth, Coleridge and Keats, Bryon and Shelley
and Mary Shelley * Examines non-canonical texts including tales for
children * Makes a distinctive contribution to debate about
Romantic understanding of history
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