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Giacometti and Frank Auerbach - Portraiture and the Pursuit of the Absolute (Paperback)
Loot Price: R360
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Giacometti and Frank Auerbach - Portraiture and the Pursuit of the Absolute (Paperback)
Series: CV/Visual Arts Research, 212
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List price R433
Loot Price R360
Discovery Miles 3 600
You Save R73 (17%)
Expected to ship within 10 - 15 working days
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In this book, which compares and contrasts the work of these two
exceptional artists, Edward Lucie-Smith examines the changed but
still vital role of portraiture in the art of our time.It is
particularly interesting that the upcoming exhibition of
Giacometti's work at the National Portrait Gallery focuses on
Giacometti's activity as a portraitist, in both painting and
sculpture. It coincides with a major retrospective exhibition at
Tate Britain of paintings by Frank Auerbach. Though Auerbach has
tackled a range of other subjects, urban landscapes, interiors and
nudes, he is perhaps best known for his intensely studied images of
people who are in one way or another close to him.Portraiture has
not been, in general, one of the main subjects of Modernist art -
if any genre of art seemed truly passe-iste when the Modern
Movement was at its height, it was this one. Both Giacometti and
Auerbach offer striking exceptions to the general rule. The human
image - the very specific human image, reflection of a unique
personality - is a central artistic theme for them both.The rules
of traditional portrait painting are, however, overturned. The
artist chooses his subjects.They don't choose him. Usually his
subjects are intimately known, members of his immediate circle.
Both Giacometti and Auerbach portray the same sitters over and over
again, trying - so it seems - to catch some elusive essence. The
paintings are about as far as you can get from a portrait snapshot.
Further still, perhaps, from the kind of flattering, polished
likenesses created by professional photographers in their studios.
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