From the 1980s into the early 2000s, the Japanese group Dumb Type
mounted multimedia performances that broke substantial new ground
in new media dramaturgy and influenced countless performers to
follow. This book gathers essays on the groups work, achievement,
and influence, analysing such key works as S/N, which marked the
first time a major Japanese artwork staged a debate around the
politics of sexuality and difference. Other works -- including p/b,
OR, and memorandum -- come under close scrutiny as well, and
contributors also attend to more recent works by individual Dumb
Type artists. This is the most extensive exploration of Dumb Type
to date, and it will be essential for scholars of contemporary new
media performance.
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