Representing the first comprehensive analysis of Gaga and Ohad
Naharin's aesthetic approach, this book follows the sensual and
mental emphases of the movement research practiced by dancers of
the Batsheva Dance Company. Considering the body as a means of
expression, Embodied Philosophy in Dance deciphers forms of meaning
in dance as a medium for perception and realization within the
body. In doing so, the book addresses embodied philosophies of
mind, hermeneutics, pragmatism, and social theories in order to
illuminate the perceptual experience of dancing. It also reveals
the interconnections between physical and mental processes of
reasoning and explores the nature of physical intelligence.
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