In Unmaking Mimesis Elin Diamond interrogates the concept of
mimesis in relation to feminism, theatre and performance. She
combines psychoanalytic, semiotic and materialist strategies with
readings of selected plays by writers as diverse as Ibsen, Brecht,
Aphra Behn, Caryl Churchill and Peggy Shaw.
Through a series of provocative readings of theatre, theory and
feminist performance she demonstrates the continuing force of
feminism and mimesis in critical thinking today.
Unmaking Mimesis will interest theatre scholars and performance
and cultural theorists, for all of whom issues of text,
representation and embodiment are of compelling concern.
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