Moving images have become an increasingly common feature in a wide
range of museums, which are frequently populated with screens and
audio-visual projections. But when did films start to be displayed
in museum galleries? And what are the issues at stake when showing
moving images in exhibition spaces? With an innovative and strongly
interdisciplinary theoretical framework, this book offers an
extensive investigation of the use of audio-visuals in exhibition
design. Highlighting the continuities and fractures between
different periods, contexts and practices, Elisa Mandelli shows the
deep influence of audio-visuals on the configuration of the
exhibition space, as well as on the relationship between museums
and their visitors.
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