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Chaos, Territory, Art - Deleuze and the Framing of the Earth (Paperback)
Loot Price: R402
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Chaos, Territory, Art - Deleuze and the Framing of the Earth (Paperback)
Series: The Wellek Library Lectures
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Loot Price R402
Discovery Miles 4 020
Expected to ship within 10 - 15 working days
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Instead of treating art as a unique creation that requires reason
and refined taste to appreciate, Elizabeth Grosz argues that
art-especially architecture, music, and painting-is born from the
disruptive forces of sexual selection. She approaches art as a form
of erotic expression connecting sensory richness with primal
desire, and in doing so, finds that the meaning of art comes from
the intensities and sensations it inspires, not just its intention
and aesthetic. By regarding our most cultured human accomplishments
as the result of the excessive, nonfunctional forces of sexual
attraction and seduction, Grosz encourages us to see art as a kind
of bodily enhancement or mode of sensation enabling living bodies
to experience and transform the universe. Art can be understood as
a way for bodies to augment themselves and their capacity for
perception and affection-a way to grow and evolve through
sensation. Through this framework, which knits together the
theories of Charles Darwin, Henri Bergson, Gilles Deleuze, Felix
Guattari, and Jakob von Uexkull, we are able to grasp art's deep
animal lineage. Grosz argues that art is not tied to the
predictable and known but to new futures not contained in the
present. Its animal affiliations ensure that art is intensely
political and charged with the creation of new worlds and new forms
of living. According to Grosz, art is the way in which life
experiments with materiality, or nature, in order to bring about
change.
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