Victoria's accession to the throne in 1837 coincided with the
birth of a now notorious gender stereotype the "Angel in the
House." Comparing the position of real women from the Queen of
England to middle-class housewives with their status as household
angels, Elizabeth Langland explores a complex image of femininity
in Victorian culture.
Langland offers provocative readings of nineteenth-century
fiction as well as a rare glimpse into etiquette guides, home
management manuals, and cookbooks. She traces the implications of a
profound contradiction: although the home was popularly depicted as
a private moral haven, running the middle-class household which
included at least one servant was in fact an exercise in class
management. Drawing on the work of Foucault, Benjamin, and
Bourdieu, and of recent feminist theorists, Langland considers
novels by Dickens, Gaskell, Oliphant. and Eliot, as well as the
memoirs of Hannah Cullwick, a former domestic servant who married a
middle-class man.
Langland discovers that the middle-class wife assumed a more
complex and important function than has previously been recognized.
With her substantial power veiled in myth, the Victorian angel
mastered skills that enabled her to support a rigid class system;
at the same time, however, her achievements unobtrusively set the
stage for a feminist revolution. Nobody's Angels reconstructs a
disturbing picture of social change that depended as much on
protecting class inequity as on promoting gender equality."
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