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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960
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Modern Art Invasion - Picasso, Duchamp, and the 1913 Armory Show That Scandalized America (Paperback)
Loot Price: R383
Discovery Miles 3 830
You Save: R36
(9%)
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Modern Art Invasion - Picasso, Duchamp, and the 1913 Armory Show That Scandalized America (Paperback)
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List price R419
Loot Price R383
Discovery Miles 3 830
You Save R36 (9%)
Expected to ship within 18 - 22 working days
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In 1910 New York's art scene was dull and stuck in the past-lagging
considerably behind Europe. Before the century reached its
midpoint, however, New York would come to dominate the art world.
It seemed that in a blink of an eye New York City transformed from
provincial backwater to vibrant epicenter of the art world. This
incredible transformation was entirely triggered by the Armory
Show, the most important art exhibit in U.S. history. Held at
Manhattan's 69th Regiment Armory in 1913, the show brought
modernism to America in an unprecedented display of 1300 works by
artists including Picasso, Matisse, and Duchamp, A quarter of a
million Americans visited the show; most couldn't make sense of
what they were seeing. Newspaper critics questioned the artists'
sanity. A popular rumor held that the real creator of one abstract
canvas was a donkey with its tail dipped in paint. The Armory Show
went on to Boston and Chicago and its effects spread across the
country. American artists embraced a new spirit of experimentation
as conservative art institutions lost all influence. New modern art
galleries opened to serve collectors interested in buying the most
progressive works. Over time, the stage was set for American
revolutionaries such as Jackson Pollock, Mark Rothko, Roy
Lichtenstein, and Andy Warhol. Today, when museums of modern and
contemporary art dot the nation and New York reigns as art capital
of the universe, we live in a world created by the Armory Show.
Elizabeth Lunday, author of the breakout hit Secret Lives of Great
Artists, tells the story of the exhibition from the perspectives of
organizers, contributors, viewers, and critics. Brimming with
fascinating and surprising details, the book takes a fast-paced
tour of life in America and Europe, peering into Gertrude Stein's
famous Paris salon, sitting in at the fabulous parties of New York
socialites, and elbowing through the crowds at the Armory itself.
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