A novel with backbone, which may well serve ?? regard for the South
and her struggles in the throes of racism, also centers about
politics- ambitious and altruistic- in a small town in Mississippi.
When Travis Brevard is shot down and dies, he gives his badge
temporarily to Duncan Harper, one time football hero who now
intends to carry the ball for a much larger team which includes the
Negroes. Determined to stand or fall on an anti-liquor, pro-Negro
equality platform, he works fast to crack down on illicit
bootlegging operated by Jimmy Tallant. When a Negro veteran,
??Beck, to whom Jimmy is strangely attached by an inherited guilt,
is noticed on the scene of Jimmy's shooting, the town refuses to
listen to Jimmy's assurances of Beck's innocence and demands his
blood. Duncan loses his life to keep Beck safe from the crowd which
his own best friend, Kerney Woolbright, in a pathetic default to
ambition, has turned against Duncan. Kerney Woolbright is thus
assured of his election as state senator, and by other means of
marriage to the girl of the right family, but his treachery
separates him forever from those who loved Duncan-his wife Tinker
and his mistress. The resolution is not wholly bitter for Jimmy
Tallant grows to stature as Duncan's successor in love and public
spirit. There is also a sense of the family feeling in the
relations of contemporaries in an ingrown town from which only one
person revolts but returns to play out her role. There is clarity
of narrative and characterization here and it is a deserving and
rewarding book. (Kirkus Reviews)
In the mid-1950s, the town of Lacey in the Mississippi hill
country is a place where the lives of blacks and whites, though
seemingly separate, are in fact historically and inevitably
intertwined. When Lacey's fair-haired boy, Duncan Harper, is
appointed interim sheriff, he makes public his private convictions
about the equality of blacks before the law, and the combined
threat and promise he represents to the understood order of things
in Lacey affects almost every member of the community. In the end,
Harper succeeds in pointing the way for individuals, both black and
white, to find a more harmonious coexistence, but at a sacrifice
all must come to regret.
In The Voice at the Back Door, Mississippi native Elizabeth
Spencer gives form to the many voices that shaped her view of race
relations while growing up, and at the same time discovers her own
voice -- one of hope. Employing her extraordinary literary powers
-- finely honed narrative techniques, insight into a rich, diverse
cast of characters, and an unerring ear for dialect -- Spencer
makes palpable the psychological milieu of a small southern town
hobbled by tradition but lurching toward the dawn of the civil
rights movement. First published in 1956, The Voice at the Back
Door is Spencer's most highly praised novel yet, and her last to
treat small-town life in Mississippi.
General
Imprint: |
Louisiana State University Press
|
Country of origin: |
United States |
Series: |
Voices of the South |
Release date: |
March 1994 |
First published: |
March 1994 |
Authors: |
Elizabeth Spencer
|
Dimensions: |
216 x 140 x 24mm (L x W x T) |
Format: |
Paperback
|
Pages: |
367 |
ISBN-13: |
978-0-8071-1927-3 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
0-8071-1927-X |
Barcode: |
9780807119273 |
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