Acts and apparitions examines how new performance practices from
the 1990s to the present day have been driven by questions of the
real and the ensuing political implications of the concept's
rapidly disintegrating authority. This book departs significantly
from existing scholarship on contemporary performance in its
rejection of the dramatic/postdramatic binary and its interrogation
of previous applications of Derridean poststructuralism to
theatrical representation and notions of the real. It offers new
perspectives on the political analysis of contemporary theatre and
performance across a wide range of models from Forced Entertainment
and the Wooster Group, to Roland Schimmelpfennig and Howard Barker;
from verbatim theatre to audio tours and the interactive
performances of Ontroerend Goed. -- .
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