Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare in Elizabethan Costume - 'Period Dress' in Twenty-First-Century Performance (Hardcover)
Loot Price: R2,811
Discovery Miles 28 110
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Shakespeare in Elizabethan Costume - 'Period Dress' in Twenty-First-Century Performance (Hardcover)
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The meanings originally communicated by Elizabethan and Jacobean
dress have long been confined to history. Why, then, have doublets,
hose, ruffs and farthingales featured in many Shakespeare
productions staged since the turn of the 21st century? This book
scrutinizes the popular practice of costuming Shakespeare's plays
in Elizabethan and Jacobean dress. It considers why this approach
to design appeals to contemporary directors, designers and
audiences, and how it has shaped the meaning of Shakespeare's works
in specific performance contexts. Informed by original interviews
with several prominent theatre practitioners, including Emma Rice,
Gregory Doran, Jenny Tiramani, Simon Godwin, Stephen Brimson Lewis
and Tom Piper, Shakespeare in Elizabethan Costume explores how
various 21st-century Shakespeare productions have drawn on myths
and desires associated with early modern clothing. Its discussions
range from the practicalities of historical reconstruction to the
appeal of early modern sartorial culture as an embodiment of
wonder, spectacle and the supernatural. Productions discussed
include Shakespeare's Globe's production of Henry V (1997), the
National Theatre's Twelfth Night (2017) and the Royal Shakespeare
Company's The Tempest (2016). Ella Hawkins examines the minutiae of
modern design -- how seams are sewn, whence fabrics are sourced --
as well as the widespread cultural movements that have produced our
modern relationship with the period of Shakespeare's lifetime. This
is the first book to explore fully the significance of
Elizabethan-inspired design in contemporary Shakespearean
performance. Shakespeare in Elizabethan Costume reframes so-called
'period' costuming as a dynamic collection of practices capable of
refashioning textual meanings, reflecting present-day political and
societal shifts and confronting contemporary injustices.
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