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Heavy Metal Music in Argentina - In Black We Are Seen (Paperback, New edition)
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Heavy Metal Music in Argentina - In Black We Are Seen (Paperback, New edition)
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An in-depth regional discussion of heavy metal music, Heavy
Metal Music in Argentina explores metal music as a catalyst
for social change and site for engaging political reflection.
Originally published in Spanish and sold locally in Argentina, this
is the first time the work has been available in
English.  Edited by leading researchers, this
collection addresses the music’s rituals, circulations, cultural
products, lyrics and allows readers to rethink the place of heavy
metal within Argentinean politics and economics. Exclusively
written by members of the Group for Interdisciplinary Research on
Argentinian Heavy Metal (GIIHMA) in a communal approach to
scholarship, the book echoes the working-class voices that marked
early post-dictatorship metal music in Argentina. This is the first
collection of essays on Argentine metal music. It has opened up
research channels between different universities in the country
while also engaging a non-academic audience, and widening the
potential market for the book. The book makes an interdisciplinary
examination of a complex and fascinating object: it allows for the
examination, discussion and analysis of its nationalist postulates,
relationship with the Creole culture (for example, with
nineteenth-century ‘gauchesca’ literature), indigenism, and
with the political processes of contemporary Argentina. Metal Music
Studies, as an academic area of inquiry, has focused mostly on the
music’s cultural components in Europe and the United States. The
few books that have addressed metal music as a global phenomenon,
have severely neglected the inclusion of Latin American countries.
Argentina, with the largest and oldest metal scene in the region,
has also been neglected in the existing literature. There is a
growing interest in this area, as demonstrated by the emergence of
documentary film on metal music in Latin America. The book has
potential use as a resource on courses in several disciplines
including sociology, cultural studies, musicology, ethnomusicology,
sociology and Latin American studies. It will also be of
interest to the more general readers with an interest in the
musical genre.
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