In Gondal’s Queen, Fannie Elizabeth Ratchford presents a cycle of
eighty-four poems by Emily Jane Brontë, for the first time
arranged in logical sequence, to re-create the “novel in verse”
which Emily wrote about their beloved mystical kingdom of Gondal
and its ruler, Augusta Geraldine Almeda, who brought tragedy to
those who loved her. Thanks to previous publications by Ratchford,
the imaginative world of Gondal is well known not only to Brontë
scholars but also to general readers. Only in the present book,
however, with Emily’s lovely poems restored to the setting which
gave them being, can the full impact of this extraordinary literary
creation be realized. The life story of Gondal’s Queen, from
portentous birth to tragic death, is set in a world compounded of
dark Gothic romance and Byronic extravagance; yet out of it emerges
not only a real country of wild moor sheep and piercingly beautiful
nights but also the portrait of a real woman, whose doom was
wrought not by the stars but by the clashing complications of her
own nature. In A.G.A. (the appellation most usually applied to the
Queen), Emily Brontë created a personality, not a puppet reciting
lovely lines. And Ratchford, in reconstructing her story, has
re-affirmed the dignity, beauty, and richness of Emily’s poetry.
Gondal’s Queen is the end of a long trail of research and
literary detection which has led Ratchford to all known Brontë
documentary sources. This quest was originally stimulated by
curiosity over a tiny booklet signed, “C. Brontë, June 29th,
1837,” in the Wrenn Library at the University of Texas at Austin.
Ratchford’s intense and astonishingly fruitful interest in the
Brontës had its origin in her attempt to unravel the fascinating
puzzle presented by this little book, which seemed to be merely a
series of childish vignettes held together by “a shadow of a
common character” and a “tendency toward a unified plot.” Bit
by bit, Ratchford assembled clues from manuscripts and obscure
publications until the significance of the play world of the
Brontë children began to emerge. In spite of the fact that the
Brontës had been the subject of the liveliest literary speculation
since their deaths, it remained for Ratchford to establish the
importance of their juvenile writings to the later writings of
Charlotte. In successive publications she presented the
accumulating evidence. For a time her curiosity was centered on
Charlotte and the group, but it finally became focused on Emily
through a manuscript journal fragment which fortunately came to
hand. Unlike Charlotte, Emily left no prose works from her
childhood. But it is apparent from journal entries and birthday
notes written by Emily and Anne (whose shared creation Gondal was)
not only that the two younger Brontës lived in and sustained daily
an imaginary world which had evolved from the earlier play of the
four children together, but also that they had written separately
voluminous histories and “novels” about it. Of Emily’s vast
Gondal literature, only a small body of verse has survived, poems
originally intended for no eye but her own and possibly Anne’s.
But it is clear that Gondal was not only Emily Brontë’s
childhood dream world but also the major preoccupation of her adult
creative life.
General
Imprint: |
University Of Texas Press
|
Country of origin: |
United States |
Release date: |
1977 |
First published: |
1977 |
Authors: |
Emily Jane Brontă«
|
Editors: |
Fannie E Ratchford
|
Dimensions: |
229 x 152 x 13mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
214 |
ISBN-13: |
978-0-292-72711-3 |
Categories: |
Books
Promotions
|
LSN: |
0-292-72711-9 |
Barcode: |
9780292727113 |
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