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Sex and War on the American Stage - Lysistrata in performance 1930-2012 (Hardcover, New)
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Sex and War on the American Stage - Lysistrata in performance 1930-2012 (Hardcover, New)
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American adaptations of Aristophanes' enduring comedy Lysistrata
have used laughter to critique sex, war, and feminism for nearly a
century. Unlike almost any other play circulating in contemporary
theatres, Lysistrata has outlived its classical origins in 411 BCE
and continues to shock and delight audiences to this day. The
play's "make love not war" message and bawdy humor render it
endlessly appealing to college campuses, activist groups, and
community theatres - so much so that none of Aristophanes' plays
are performed in the West as frequently as Lysistrata. Starting
with the play's first mainstream production in the U.S. in 1930,
Emily B. Klein explores the varied iterations of Lysistrata that
have graced the American stage, page, and screen since the Great
Depression. These include the Federal Theatre's 1936 Negro
Repertory production, the 1955 movie musical The Second Greatest
Sex and Spiderwoman Theater's openly political Lysistrata Numbah!,
as well as Douglas Carter Beane's Broadway musical, Lysistrata
Jones, and the international Lysistrata Project protests, which
updated the classic in the contemporary context of the Iraq War.
Although Aristophanes' oeuvre has been the subject of much
classical scholarship, Lysistrata has received little attention
from feminist theatre scholars or performance theorists. In
response, this book maps current debates over Lysistrata's dubious
feminist underpinnings and uses performance theory, cultural
studies, and gender studies to investigate how new adaptations
reveal the socio-political climates of their origins. Emily B.
Klein is Assistant Professor of English and Drama at Saint Mary's
College of California. Her work has appeared in Women and
Performance and Frontiers as well as Political and Protest Theater
After 9/11: Patriotic Dissent (Routledge, 2012).
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