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Socialist Senses - Film, Feeling, and the Soviet Subject, 1917-1940 (Hardcover)
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Socialist Senses - Film, Feeling, and the Soviet Subject, 1917-1940 (Hardcover)
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This major reimagining of the history of Soviet film and its
cultural impact explores the fundamental transformations in how
film, through the senses, remade the Soviet self in the 1920s and
1930s. Following the Russian Revolution, there was a shared
ambition for a 'sensory revolution' to accompany political and
social change: Soviet men and women were to be reborn into a
revitalized relationship with the material world. Cinema was seen
as a privileged site for the creation of this sensory revolution:
film could both discover the world anew, and model a way of
inhabiting it. Drawing upon an extraordinary array of films, noted
scholar Emma Widdis shows how Soviet cinema, as it evolved from the
revolutionary avant-garde to Socialist Realism, gradually shifted
its materialist agenda from emphasizing the external senses to
instilling the appropriate internal senses (consciousness,
emotions) in the new Soviet subject.
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