Surround sound is often mistaken as a relatively new phenomenon in
cinemas, one that emerged in the 1970s with the arrival of Dolby.
Making Stereo Fit shows how Hollywood studios have instead been
implementing surround-sound techniques for the past century and
argues that their endurance owes primarily to the long-standing
economic tension between stereophonic and monophonic sound.
Throughout the book, Eric Dienstfrey analyzes newly discovered
archival materials, as well as a myriad of stereo releases from
Hell's Angels (1930) to Get Out (2017), to examine how
Hollywood’s dependence on single-channel sound left filmmakers
unable to fully realize the aesthetic potential of surround sound.
Though studios initially experimented with stereo's unique
affordances, Dienstfrey details how film sound designers eventually
codified a conservative set of surround-sound conventions that
prevail today, despite the arrival of more
immersive technologies.
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Series: |
California Studies in Music, Sound, and Media, 6 |
Release date: |
2024 |
First published: |
2024 |
Authors: |
Eric Dienstfrey
|
Dimensions: |
229 x 152mm (L x W) |
Pages: |
303 |
ISBN-13: |
978-0-520-37955-8 |
Categories: |
Books
|
LSN: |
0-520-37955-1 |
Barcode: |
9780520379558 |
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