Revisiting Guy Debord's seminal work, The Society of the Spectacle
(1967), Eric-John Russell breathes new life into a text which
directly preceded and informed the revolutionary fervour of May
1968. Deepening the analysis between Debord and Marx by revealing
the centrality of Hegel's speculative logic to both, he traces
Debord's intellectual debt to Hegel in a way that treads new ground
for critical theory. Drawing extensively from The Phenomenology of
Spirit (1807) and Science of Logic (1812), this book illustrates
the lasting impact of Debord's critical theory of 20th-century
capitalism and reveals new possibilities for the critique of
capitalism.
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