A collection of 125 acting exercises that are based on journal
excerpts and dialogues from Mr. Morris' classes. These exercises
teach the actor to systematically eliminate his or her instrumental
obstacles -- tensions, fears, inhibitions -- and explore the
"being" state, where the actor does no more and no less than what
he or she feels. As the title indicates, many of the techniques
herein address the actor's need to avoid falling into the traps of
concept and presentational acting. There is also a complete chapter
on sense memory -- what it is, and how to practice it and apply it
as an acting tool. Co-authored by Joan Hotchkis, and with a
Foreword by Jack Nicholson.
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