For centuries, the sea and those who sail upon it have inspired the
imaginations of British musicians. For centuries, the sea and those
who sail upon it have inspired the imaginations of British
musicians. Generations of British artists have viewed the ocean as
a metaphor for the mutable human condition - by turns calm and
reflective, tempestuous and destructive - and have been influenced
as much by its physical presence as by its musical potential. But
just as geographical perspectives and attitudes on seascapes have
evolved over time, so too have culturalassumptions about their
meaning and significance. Changes in how Britons have used the sea
to travel, communicate, work, play, and go to war have all
irresistibly shaped the way that maritime imagery has been
conceived, represented, and disseminated in British music. By
exploring the sea's significance within the complex world of
British music, this book reveals a network of largely unexamined
cultural tropes unique to this island nation. The essaysare
organised around three main themes: the Sea as Landscape, the Sea
as Profession, and the Sea as Metaphor, covering an array of topics
drawn from the seventeenth century to the twenty-first. Featuring
studies of pieces by thelikes of Purcell, Arne, Sullivan, Vaughan
Williams, and Davies, as well as examinations of cultural
touchstones such as the BBC, the Scottish fishing industry, and the
Aldeburgh Festival, The Sea in the British Musical Imagination will
be of interest to musicologists as well as scholars in history,
British studies, cultural studies, and English literature. ERIC
SAYLOR is Associate Professor of Musicology at Drake University.
CHRISTOPHER M. SCHEER is Assistant Professor of Musicology at Utah
State University. CONTRIBUTORS: Byron Adams, Jenny Doctor, Amanda
Eubanks Winkler, James Brooks Kuykendall, Charles Edward McGuire,
Alyson McLamore, Louis Niebur, Jennifer Oates, Eric Saylor,
Christopher M. Scheer, Aidan J. Thomson, Justin Vickers, Frances
Wilkins
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