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The Channeled Image - Art and Media Politics after Television (Paperback, 1)
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The Channeled Image - Art and Media Politics after Television (Paperback, 1)
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A fascinating look at artistic experiments with televisual forms.
Following the integration of television into the fabric of American
life in the 1950s, experimental artists of the 1960s began to
appropriate this novel medium toward new aesthetic and political
ends. As Erica Levin details in The Channeled Image, groundbreaking
artists like Carolee Schneemann, Bruce Conner, Stan VanDerBeek, and
Aldo Tambellini developed a new formal language that foregrounded
television's mediation of a social order defined by the interests
of the state, capital, and cultural elites. The resulting works
introduced immersive projection environments, live screening
events, videographic distortion, and televised happenings, among
other forms. For Levin, "the channeled image" names a constellation
of practices that mimic, simulate, or disrupt the appearance of
televised images. This formal experimentation influenced new modes
of installation, which took shape as multi-channel displays and
mobile or split-screen projections, or in some cases, experimental
work produced for broadcast. Above all, this book asks how artistic
experimentation with televisual forms was shaped by events that
challenged television broadcasters' claims to authority, events
that set the stage for struggles over how access to the airwaves
would be negotiated in the future.
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