Erich Hoerl, Nelly Y. Pinkrah, and Lotte Warnsholdt gather diverse
perspectives on one agreed-upon condition: that the computational
power of today's world has fundamentally transformed all aspects of
it. The contributors investigate and question not only the possible
sites of critique but also of the concept of critique. If there
used to be a critical subject constituted in the cultural
techniques of modernity, and if digitality indicates itself as a
product of modernity while at the same time somehow being its very
ending, what are the ramifications? Digitality severely alters the
critical subject and its spatio-temporal relations, and it
therefore interferes with its potential to be a critical subject.
The contributors of this volume ask what critique in the digital
age might look like and offer specific examples of critique and
critical practices.
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