Marking a crucial turning point in Caravaggio's life and artistic
development, the Crucifixion of Saint Andrew exemplifies the
artist's famous tenebristic style, developed during his rise to
fame in Rome, and simultaneously signals a new, grittier realism in
his work. Inspired both by a Spanish patron and by the urban
topography of Naples, a city three times the size of Rome in
Caravaggio's day, the Crucifixion of Saint Andrew became a mobile
portent of Caravaggio's stylistic revolution when the viceroy
brought it with him to Valladolid in 1610. Recounting the complex
history of this masterwork and its understudied position in
Caravaggio's oeuvre, this book reveals the ways in which the
Crucifixion of Saint Andrew functioned first as a devotional aid
and subsequently as a harbinger of Caravaggism abroad.
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