Why were white bourgeois gay male writers so interested in
spies, espionage, and treason in the twentieth century? Erin G.
Carlston believes such figures and themes were critical to
exploring citizenship and its limits, requirements, and
possibilities in the modern Western state. Through close readings
of Marcel Proust's novels, W. H. Auden's poetry, and Tony Kushner's
play "Angels in America," which all reference real-life espionaage
cases involving Jews, homosexuals, or Communists, Carlston connects
gay men's fascination with spying to larger debates about the
making and contestation of social identity.
Carlston argues that in the modern West, a distinctive position
has been assigned to those perceived to be marginal to the nation
because of non-visible religious, political, or sexual differences.
Because these "invisible Others" existed somewhere between the
wholly alien and the fully normative, they evoked acute anxieties
about the security and cohesion of the nation-state. Incorporating
readings of nonliterary cultural artifacts, such as trial
transcripts, into her analysis, Carlston pinpoints moments in which
national self-conceptions in France, England, and the United States
grew unstable. Concentrating specifically on the Dreyfus affair in
France, the defections of Communist spies in the U.K., and the
Rosenberg case in the United States, Carlston directly links
twentieth-century tensions around citizenship to the social and
political concerns of three generations of influential writers.
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