Though many still think that we live in an information economy,
Ernest Sternberg asserts that the driving force in 21st-century
capitalism is not information, but image. Through studies of food
processing, real estate development, tourism, movies, and labor
performances, he examines how businesses endow products with
evocative meaning.
It has become common wisdom that we live in a postindustrial
information society in which data and calculation underlie wealth.
But now that information is as routinely produced as industrial or
agricultural goods, businesses are discovering that they best
achieve competitive advantage by producing what consumers most
dearly seek--personal meaning. The 21st-century economy produces
just that: not merely information, but evocative images; not just
commodities, but meaning-laden icons. As Sternberg shows, foods now
appeal through their sensuality and nostalgia; houses and stores
draw customers through their exoticism; people sell their labor
through the deliberate performance of the self for the market; and
tourist destinations offer up carefully crafted thematic
experiences. Whereas farms, factories, and information processors
once stood at the core of the economy, now movie studios do,
producing the product valued above all, meaningful content, from
which downstream firms acquire the themes that animate desire.
Now that meaning pervades production, Sternberg argues, modes of
inquiry once reserved for the humanities make sense in the study of
the economy. Drawing on art history and aesthetics, he introduces
iconography as a mode of cultural analysis adapted to the study of
commercial production. Through comparative studies of diverse
economic sectors, ranging from food processing to tourism,
Sternberg carries out an iconographic analysis of the new economy.
This is a provocative study for scholars, students, and
professionals dealing with marketing and consumer research, culture
and media studies, socio-economics, and economic geography.
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