This new translation of "The Bacchae--"that strange blend of
Aeschylean grandeur and Euripidean finesse--is an attempt to
reproduce for the American stage the play as it most probably was
when new and unmutilated in 406 B.C. The achievement of this aim
involves a restoration of the "great lacuna" at the climax and the
discovery of several primary stage effects very likely intended by
Euripides. These effects and controversial questions of the
composition and stylistics are discussed in the notes and the
accompanying essay.
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