Novel Gazing is the first collection of queer criticism on the
history of the novel. The contributors to this volume navigate new
territory in literary theory with essays that implicitly challenge
the "hermeneutic of suspicion" widespread in current critical
theory. In a stunning introductory essay, Eve Kosofsky Sedgwick
delineates the possibilities for a criticism that would be
"reparative" rather than cynical or paranoid. The startlingly
imaginative essays in the volume explore new critical practices
that can weave the pleasures and disorientations of reading into
the fabric of queer analyses. Through discussions of a diverse
array of British, French, and American novels-including major
canonical novels, best-sellers, children's fiction, and science
fiction-these essays explore queer worlds of taste, texture, joy,
and ennui, focusing on such subjects as flogging, wizardry,
exorcism, dance, Zionist desire, and Internet sexuality.
Interpreting the works of authors as diverse as Benjamin Constant,
Toni Morrison, T. H. White, and William Gibson, along with
canonical queer modernists such as James, Proust, Woolf, and
Cather, contributors reveal the wealth of ways in which selves and
communities succeed in extracting sustenance from the objects of a
culture whose avowed desire has often been not to sustain them. The
dramatic reframing that these essays perform will make the
significance of Novel Gazing extend beyond the scope of queer
studies to literary criticism in general.Contributors. Stephen
Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain,
Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa,
Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky
Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent,
Maurice Wallace, Barry Weller
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