This book fully recognizes the aestheticism inherent in historical
writing while acknowledging its claim to satisfy the demands of
rational and scientific inquiry. Focusing on the notion of
representation and on the necessity of distinguishing between
representation and description, it argues that the traditional
semantic apparatus of meaning, truth, and reference that we use for
description must be redefined if we are to understand properly the
nature of historical writing.
The author shows that historical representation is essentially
aesthetic, though its adequacy can be discussed rationally. He
defines the criteria for representational adequacy, and examines
the relationship between these criteria and value judgments. He
also investigates the historicist conception of historical writing
and the notions of identity and narrativity. This investigation
takes place against the backdrop of the ideas of four of the most
influential contemporary historical theorists: Erich Auerbach,
Arthur Danto, Hayden White, and Jorn Rusen.
The book aims to identify and to explore for historical theory the
"juste milieu" between the extravagances of the literary approach
to historical writing and the narrow-mindedness of empiricists. The
search for this "juste milieu" leads to a rationalist aesthetics of
historical writing, a position that repeats both the aesthetic
dimension of all historical writing and the criteria defining the
rationality of the discipline of history.
General
| Imprint: |
Stanford University Press
|
| Country of origin: |
United States |
| Series: |
Cultural Memory in the Present |
| Release date: |
2002 |
| First published: |
2001 |
| Authors: |
F. R Ankersmit
|
| Dimensions: |
229 x 152 x 22mm (L x W x T) |
| Format: |
Hardcover - Cloth
|
| Pages: |
336 |
| ISBN-13: |
978-0-8047-3979-5 |
| Categories: |
Books
Promotions
|
| LSN: |
0-8047-3979-X |
| Barcode: |
9780804739795 |
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