Revised and updated critical survey of the field of cosmetics and
adornment studies This revised edition examines how the plays of
Shakespeare and his contemporaries dramatise the Renaissance
preoccupation with cosmetics. Farah Karim-Cooper explores the
then-contentious issue of female beauty and identifies a 'culture
of cosmetics', which finds its visual identity on the early modern
stage. She also examines cosmetic recipes and anti-cosmetic
literature focusing on their relationship to drama in its
representations of gender, race, politics and beauty. Key Features
Offers a new analysis of the construction of whiteness as a racial
signifier Provides an original insight into women's cosmetic
practice through an exploration of ingredients, methods and
materials used to create cosmetics and the perception of make up in
Shakespeare's time Includes numerous cosmetic recipes from the
early modern period found in printed books and never published in a
modern edition
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