Fariborz Lachini's third Requiem for solo piano is immediately
calming. Its ethereal nature provides an escape from our
tempestuous and cluttered world. While his thoughtfully constructed
melodies pay homage to the well crafted classical line, it is the
purity of his music that connects with the casual listener and
satisfies the most discriminating musical tastes. Lachini's widely
accessible music blurs the strict lines of any one genre. There is
no need to defined or categorized his music because it is simply,
Beautiful. Lachini's solo piano music possesses a tenderness that
resonates with music lovers despite any cultural differences. The
unifying force of music is clearly at work in Lachini's entire
catalog. Lachini believes in the emotional power of simplicity. His
music is subtle, suspenseful and full of longing - a rare and rich
find in today's music. Lachini's compositions are timeless. His
source of inspiration for many of his works came from a war-torn
world. His first two Golden Autumn albums were released immediately
after of the Iraq-Iran war and reflected the unrest of the era -
the soothing melodies were the refuge of many people at that time.
As a result, the first Golden Autumn recording ("Paeez Talaee") was
a resounding success and Lachini became a household name in Iran.
During the next two decades, Lachini created scores for nearly one
hundred movies. The melodies of some of the movies can be heard in
his follow-up Golden Autumn albums. Elements of his beautifully
crafted movie scores and Golden Autumn releases are evident in his
Requiems. Yet what sets these Requiems apart from his other works
is his use of a classical foundation for the three recordings in
the series.
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