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Crosscurrents - American and European Music in Interaction, 1900-2000 (Hardcover, New)
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Crosscurrents - American and European Music in Interaction, 1900-2000 (Hardcover, New)
Series: Paul Sacher Foundation
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An exploration of how music and musicians have moved between North
America and Europe and the positive exchanges that have resulted.
Throughout the 20th century, exchanges between North America and
Europe were vital to the development of musical life on both sides
of the Atlantic, shifting from a postcolonial imbalance of cultural
power at the opening of the century to an increasing sense of
encounters between equals. There were productive exchanges of all
sorts and in both directions, with ever-shifting dynamics over
time. American musicians studied in Europe; European musicians
visited the U.S. or were driven into exile there, orchestras and
soloists crisscrossed the ocean to give concert tours; music
festivals attracted an international clientele; and printed music,
recordings, journalism, radio, and eventually the internet flowed
freely within a transatlantic circuit. This volume, based on the
papers presented at an international conference held at Harvard
University and the University of Munich (2008/2009), explores how
music and musicians - both Europeans and Americans - have moved
across cultures, creating mutual benefit as well as occasional
misunderstanding. It includes contributions by leading historians,
theorists, and scholars of American studies as well as interviews
with two prominent "transatlantic" composers of today, Betsy Jolas
and Steve Reich. The main chapters of the book are devoted to the
following topics: "Performing National Identity", "Touring onthe
Other Side", "Networks of Pedagogy and Patronage", "Exile and
Emigration", "Wartime Concerns", "Cultural Politics on the Cold
War", "Technological Intersections", "Institutional Havens and
Confrontations", "Musical Languages:Concergences and Divergences",
"Questioning Hierarchies, Challenging Boundaries". This volume has
been edited by Felix Meyer, Carol J. Oja, Wolfgang Rathert and Anne
C. Shreffler.
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