En un apartamento en ruinas, en una ciudad uruguaya sin nombre, un
padre y su hija se encierran y se aislan del mundo exterior. "El
mundo es esta casa", dice Clara. La azotea se vuelve su ultimo y
unico acceso a la libertad. Hay un solo testigo: el canario.A
medida que los vinculos de Clara con el afuera se van extinguiendo
-la vecina que deja de venir, el novio cuya existencia es aparente
solo a traves de un embarazo-, la desesperacion y la paranoia van
tomando protagonismo. Es un abrazo que asfixia, y nosotros estamos
aqui con ella, nuestra narradora, aterrados ante lo que trae el
devenir. _In a rundown apartment building, in an unnamed city in
Uruguay, a father and daughter close themselves off from the world.
'The world is this house', says Clara, and the rooftop becomes
their last recess of freedom. A pet canary is their only witness.
_As Clara's connection to the outside is stripped away-the neighbor
who stops coming by, the lover whose existence is only known by a
pregnancy-desperation and paranoia take hold. It's a stifling
embrace, and we are there with her, our narrator, dreading what we
know the future holds. In a rundown apartment building, in an
unnamed city in Uruguay, a father and daughter close themselves off
from the world. 'The world is this house', says Clara, and the
rooftop becomes their last recess of freedom. A pet canary is their
only witness. As Clara's connection to the outside is stripped
away-the neighbor who stops coming by, the lover whose existence is
only known by a pregnancy-desperation and paranoia take hold. It's
a stifling embrace, and we are there with her, our narrator,
dreading what we know the future holds.
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