This study presents interpretation and criticism of Catharina von
Greiffenberg's Geistliche Sonnette (1662) with contrastive
discussions of the process and structure of Gryphius' sonnets. The
author uses an eclectic method to explore the sonnets as viable
poetic constructs. She arrives at new conclusions on the nature of
the two poets' gifts and on the peculiarities and possibilities of
the sonnet as a short lyric form.
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