This collection of essays by leading Byronists explores the
development of the myth of Byron and the Byronic from the poet's
self-representations to his various appearances in nineteenth- and
twentieth-century literature and in drama, film and portraiture.
Byromania (as Annabella Milbanke named the frenzied reaction to
Byron's poetry and personality) looks at the phenomena of Byronism
through a variety of critical perspectives, and it is designed to
appeal to both an academic and a popular readership alike.
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