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Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries

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The Gothic Novel and the Stage - Romantic Appropriations (Paperback) Loot Price: R1,282
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The Gothic Novel and the Stage - Romantic Appropriations (Paperback): Francesca Saggini

The Gothic Novel and the Stage - Romantic Appropriations (Paperback)

Francesca Saggini

Series: Literary Texts and the Popular Marketplace

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Loot Price R1,282 Discovery Miles 12 820 | Repayment Terms: R120 pm x 12*

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In this ground-breaking study Francesca Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists. Saggini opens her study with a very useful and persuasive overview of the themes and forms of Gothic drama. In her view, stage appropriation is the textual threshold in which novelistic and dramatic/ performative texts overlap on and disseminate through each other. She examines in details the use of three specific aspects of Gothic dramatic language as recorded by both novel and drama: music, lighting, and scene design. The following chapters, informed by semiotic and narrative theory, closely examine the stage appropriations respectively in and of the Gothic novel, particularly, though not exclusively, the representation of the supernatural in Ann Radcliffe and Matthew G. Lewis. Boaden's successful Gothic drama Fontainville Forest challenges a central aspect of Radcliffe's poetics: her reliance on the so-called explained supernatural and puts it context by looking at contemporary stage presentations of the supernatural as offered for instance in Hamlet. The final part of the study frames Lewis's representation of the supernatural in The Monk within the contemporary mechanics of staging and discusses the novel in relation to contemporary stage presentation and in the context of Romantic harlequinades and spectacular visual exhibits. Saggini makes a convincing argument for a transmedial and highly cooperative reading of Gothic texts and spectacles. Her approach does not seek to displace the novel or 'the text' from modern perceptions of the Gothic, but wants to open the genre to plural and anti-hierarchical forms of reading and to recognise its resourcefulness in appropriating theatrical t

General

Imprint: Routledge
Country of origin: United Kingdom
Series: Literary Texts and the Popular Marketplace
Release date: December 2019
First published: 2015
Authors: Francesca Saggini
Dimensions: 234 x 156 x 21mm (L x W x T)
Format: Paperback
Pages: 299
ISBN-13: 978-0-367-87594-7
Categories: Books > Arts & Architecture > Performing arts > Theatre, drama > General
Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
Books > Language & Literature > Literature: history & criticism > Novels, other prose & writers > General
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LSN: 0-367-87594-2
Barcode: 9780367875947

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