Based on interviews and archival research, this book explores how
media is implicated in Black women's lives in Britain. From
accounts of twentieth-century activism and television
representations, to experiences of YouTube and Twitter, Sobande's
analysis traverses tensions between digital culture's communal,
counter-cultural and commercial qualities. Chapters 2 and 4 are
available open access under a Creative Commons Attribution 4.0
International License via link.springer.com.
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